sonotadream: (Default)

Ultimate Spider-Man #23 - Jonathan Hickmann/ Marco Checcheto, David Messina - final confrontation incoming. It's a pity the ultimate universe is ending, but hopefully it'll go on a high note.

Ultimate Wolverine #12 - Chris Condon/Alessandro Cappuccio - i guess Logan wins the love triangle this time, lol.

Absolute Batman #15 - Scott Snyder/ Jock - is absolute Joker all you could ask for or not? Love that being Batman's opposite means becoming this universe's Bruce Wayne.

New Avengers #7 - Sam Humphries/ Ton Lima - this series is very fun. It's failing on the give every team member their spotlight side of things, but I'm enjoying the BuckyNat content.


sonotadream: (Default)
Batman: Dark Patterns #11 - Dan Watters/Hayden Sherman - this continues to be so good. But, Bruce, take your damn meds! You’re hallucinating now, you happy?

Ultimate Spider-Man #22 - Jonathan Hickman/Marco Checchetto - okay, was that Mysterio in any way real, or are there more hallucinations going around? Richard and Felicia are cute, though.

The Ultimates #17 - Deniz Camp/Phil Noto - Reed’s recreate the Fantastic Four project seems to have been successful, which is nice. Hank Pym seems to be the secret MVP of this series.

Fantastic Four #4 - Ryan North/Humberto Ramos - paradoilia as a invasion tactic is a big brain concept.

Ultimate Spider-Man: Incursion #5 - Deniz Camp, Cody Ziglar/Jonas Scharf - seeing Miles interact with everyone in the new Ultimate Universe was fun, but two things: the continuity doesn’t seem to work with the other books and was the entire point just for Miles to reveal the Maker’s identity?
sonotadream: (Default)

Absolute Superman #12 - Jason Aaron/Rafa Sandoval - ngl, still disappointed Talia seems to be all in with her father. He's so dismissive, fingers crossed he regrets it.

Absolute Batman #13 - Scott Snyder/Nick Dragotta - Bane thinking Joker is letting him go free is lowkey delusional, right?

Captain America #4 - Chip Zdarsky/Schiti - the new Captain America is not having a good time in the job.

Ultimate Spider-Man #21 - Jonathan Hickmann/Messina - I don't think Gwen/Mysterio's plans over before they get a chance to start, but what a bang. Still hoping her and Harry work things out. Her going rogue to save him was good.

Absolute Evil #1 - Al Ewing/Giuseppe Camuncoli, Stefano Nesi - I liked the backstory dive into the universe's history. Didn't like that Ollie is dead now, but I like what he says about how the villains want to operate in the future.

Batman #2 - Matt Fraction/Jorge Jimenez - turns out, the dangerous Robin situation was a bit overhyped, but it's nice to see Bruce in supportive dad mode.


sonotadream: (Default)

Batman and Robin:Year One #11 - Mark Waid/Chris Samnee - Robin to the rescue! Loving the way Dick and Bruce’s relationship is developing.

The Ultimates #16- Deniz Camp/Juan Frigeri - the revolution seems to be working. That’s a good sign, right?

Absolute Flash #7 - Jeff Lemire/Travis Moore - okay, if the Rogues turn out to be the good guys and team up with Wally, then this book is getting cool.


sonotadream: (Default)

Uncanny X-Men #21 - Gail Simone/Lucciano Vecchio - These kids are still my favourite new mutants. The convention but was fun. Loved Wolverine’s lack of patience for Ransom’s father. And that was a weird cult.

Marvel/DC #1 - The Batman/Deadpool story was fun, especially with Deadpool going against the Joker. The Captain America/Wonder Woman story was meh. Jeff/ Krypto and Green Lantern Rockie Racoon were both funny.

Fantastic Four #3 - Ryan North/Humberto Ramos - I wasn’t really feeling this plot, but Doom is his own worst enemy still is a good take. Also, lol at Johnny showing off for the scientists!


sonotadream: (Default)

Captain America #3 - Chip Zdarsky/Valerio Schiti - so, this is a better showcase about Doom as a dictator that makes some good points than the entirety of One World under Doom. Also, would Steve Rogers be the same Captain America if he had to deal with post 9/11 war on terror shit, rather than WWII? It would make an interesting what if.

Ultimate X-Men #19 - Peach Momoko - Shadow King saves the day by being petty!

Absolute Green Lantern #6 - Al Ewing/Jahnoy Lindsay - so, this is all new Green Lantern mythology? Cos I don’t know enough about the original lore to know.

New Champions #8 - Steve Foxe/Ivan Fiorelli - Fun series, fun cast, sad to see it go, but glad it ended in a high note.

 


sonotadream: (Default)

Supergirl #4 - Sophie Campbell - still a fun book. Nice to see Kara taking on a mentor role.

Batman: Gotham by Gaslight: A League for Justice #2 - Andy Diggle/Leandro Fernandez - love the steampunk aesthetic.

Ultimate Spider-Man #20 - Jonathan Hickmann/Marco Checchetto - MJ is not kidding around, is she?

Batman #1 - Matt Fraction/Jorge Jiménez - Nice start. It was good to see Bruce have a moment with Killer Croc instead of a fight.

Robin and Batman: Jason #3 - Lemire/Nguyen - The art is so beautiful, but the thesis of this book is that Jason was broken from the start and there”s nothing anyone could do, and that”s just so ugh!


sonotadream: (Default)

Oops, I”ve been neglecting these posts for a while now...

Batman: Dark Patterns #9 - Dan Watters/Hayden Sherman - this continues to be so good! This arc was really sad, Batman is not getting any victories here.

The Avengers #29 - Jed MacKay/Farid Karami - this plot seems interesting - and I”d like to see more of the Twilight Court - but I”m not reading Secret Wars anytime soon.

Ultimate X-Men #18 - Peach Momoko - this book continues to be doing something new. I just find it frustrating it will probably make more sense in re-read.

sonotadream: (wolverine)

Marvel Comics Presents: Weapon X (1988) - #72-84 - art and story by Barry Windsor-Smith

The story of Wolverine in the Weapon X program was first published in the anthology magazine Marvel Comics Presents in 1991.

It starts with Wolverine's narration. He's in a bad place, ruminating about the Apocalipse (as in the end of the world, not the egyptian guy).

He gets kidnapped to be part of some secret experiment that involves injecting him with adamantium. Surprisingly, the guys in charge - the Professor and Dr. Cornelius - weren't aware of his mutant status when they selected Logan as a guinea pig. The Professor then calls whoever is above him to complain about not being informed. He also sends a random lab tech to his death so he can see Logan in action.

The sequence where Logan rediscovers his claws is a nice little bit of body horror. It's followed by several panels of naked Logan in restraints, so that's interesting.

Cornelius and the Professor argue if Logan it's nothing but a mindless, murdering beast or if he has simply reverted to his true self. The Professor believes Cornelius can condition him into the perfect weapon.

They don't get off to a good start, with Logan attacking the Professor and him immediately panicking and wanting Logan dead. Soon, however, they have him facing a pack of hungry wolves and killing them. Sad, when you remember he used to live with a pack of his own. Does a good job of showing the dehumanization in the process.

Which continues when the Professor decides he needs to be able to control Logan like a puppet and the solution Cornelius finds is to hook Logan with a bunch of cables and transmitters and batteries - unwieldy and unflattering. I'm curious to see more of this unsavory corner of the Marvel universe, because in our brief glimpse at the Winter Soldier, he didn't have to put up with this shit.

But the Professor is paranoid about the fact Logan wants to kill him and he has reason to be. His mysterious superior takes control of Logan and sends him after the Professor, massacring everyone in his way. The Professor, having a crisis about the fact that he's disposable, manages to hide with Cornelius and his assistant, Hines.

Cornelius is having his own crisis about the fact the Weapon X program objective is to create an assassin (I guess he missed the fact that experimenting in kidnapped, unconscious people is unethical on its own, even if they turn out to be mutants). He also seems unable to grasp how good Logan's healing factor is, to the point it costs him his life.

The Professor decides to set a trap for Logan, using Hines as bait. It works, sort of. Logan is not interested in her, and his healing factor allows him to survive a fission reactor and he goes on to brutally murder the Professor.

Logan wakes up some time later with little memory of what happened. He has his mind back and, realizing nothing good will come from sticking around, he starts running, chased by something dark.

And then it turns out the entire escape was just a simulation. Cornelius and the Professor watch Logan fight a mountain lion, convinced they now have absolute control over him and Experiment X is a success. Until Logan claws his way through the door and, presumably, through them.

The last pages see Logan stumbling in the wilderness, while in voiceover, Hines shows she's the only one with a moral compass (she's also the only woman in the story…)

 


sonotadream: (wolverine)

Logan: Shadow Society #1 (1996) - written by Howard Mackie and Mark Jason, art by Tomm Coker, Keith Aiken and Octavio Cariello

 

Another one shot about Wolverine before Weapon X (don't worry, that's coming up next). In this one, he teams up with pre-superpowers Carol Danvers to face the Hellfire Club and Sabretooth. It kinda goes nowhere and I think it's due to the problem with prequels where it's already established the characters don't have certain information, and it limits where the prequel story can go.

Honestly, the story is nothing special. The pairing up of Carol and Logan is not bad, but their chemistry is built on a basis of cliches. Logan and Sabretooth have history already, but nothing concrete is mentioned.

This is set before the existence of mutants was public knowledge so we have a professor that believes there's a secret society of mutants running the world and they might not have good intentions. Turns out he's right and the Hellfire club really is planning on forming an army of mutants. Logan thinks it's bullshit, but there's hints the Canadian government does not (more on that next time, probably). He does admit he’s a mutant to Carol, and then tells her to forgot about what happened.

This could have a decent story, even if it's nothing exciting, but the art brings the whole thing down. The action lacks dynamism and Logan's face is just off. He ends up looking like a leprechaun in some panels. It's just not very good.


sonotadream: (daredevil)
 Daredevil: the Man without Fear (1993) - written by Frank Miller, art by John Romita Jr.

Another origin story, but it's Daredevil written by Frank Miller, before he went down the rabbit hole.

Matt Murdock lives with his father - a boxer/reluctant enforcer for the mob - in Hell's Kitchen, New York. He has a wild side that he keeps hidden, especially from his father. Jack wants his kid to study and be better, and that boils down to not get into fights.

But Matt wants to be like his father. They clash and Jack hits his son, which he's immediately sorry for. That event tilts Matt's world view: he idolizes his father, but if he can break the rules, what's even the point.

Anyway, Matt decides he's going to be a lawyer to understand how law and rules work. (Yeah, I don't really follow the logic here, but it could be just me.)

Matt does as his father wants - studies and doesn't get into fights, to the point where he gets bullied over it. 

And then he saves an old man from being run over, loses his sight due to a radioactive chemical spill and his other senses are augmented to the point he can hear and feel everything. 

He keeps this a secret because a nun visits him and tells him to - yes, I know that’s his mom, but how did she know about the new powers?

Matt begins training in secret with Stick - he’s also blind and he’s part of a secret society in need of new members to fight evil.

Meanwhile, Jack has been having a nice streak in his boxing career, but it turns out to be a trap. His mob boss, Fixer, has been fixing matches, so Jack will take a dive in his next one and get a bit payout. When the time comes, Jack refuses and wins the match - he wants to prove himself to Matt, which is admirable, but also gets him killed.

Matt goes on a spree after his father’s murder, putting his training to good use. He uses the dark to his advantage, scares the boss to death with an heart attack and he tracks the last one to a brothel. The workers get involved in the fight and Matt accidentally pushes one out of a window, to her death.

Shaken up, Matt flees in search of his teacher, but Stick is convinced Matt's not good enough to fight in his secret mission.

One year later, Matt's in college, helping his roommate Foggy by dealing with his bullies in secret. 

One night, Matt is lured into a parkour chase by a mystery woman. She almost gets him in trouble with the police, but they decide a blind guy couldn't be responsible for anything ¯\_(ツ)_/¯

Mystery woman - it’s Elektra, duh - has also flunked out of Stitch’s School for Gifted Children and Future Members of Still Mysterious Secret Society. She hears voices that tell her to kill, so she lures criminals into back alleys and dispatches them. She thinks her and Matt are the same, living on the edge, but Matt likes to keep that part of himself locked away. They’re on for epic, passionate, maybe a little toxic romance.

Stick shows up to scare Matt away from Elektra, to mo avail. He thinks she's bad to the core and is only going to drag Matt down with her.

Surprisingly, Elektra agrees. After her father's death, that she attributes to her voices (and it's probably fleshed out somewhere else), she breaks up with Matt for his own good. An annoying trope, but, in this instance, she was pretty honest about what's going on, he just didn't believed her. 

Years pass. Wilson Fisk becomes the Kingpin of Crime in New York, after getting rid of the old guard, who still had scruples about things like exploiting children and poisoning people with hard drugs.

Matt goes into corporate law. He returns to the city and wanders into Hell's Kitchen, where he runs into some street criminals who tried to rob him and trigger him by using the same old nickname his school bullies used - Daredevil. After he deals with them, Matt runs into his father's old, abandoned gym, trying to calm himself. There he finds a teen girl, Mickey, who likes to hide at the gym, and he starts mentoring her.

He also reconnects with Foggy, who's working in a class action suit against a slumlord, and it helps Matt remember why he studied Law in the first place.

Unfortunately, Mickey is kidnapped when she gets caught in a harebrained scheme concocted by two junkies who are part of Kingpins's organization. Fortunately, Matt realizes something is wrong and manages to track her down, dealing a significant blow to Kingpin's human trafficking operation and inciting a life long obsession. 

One thing to note is that this version of Matt is willing to kill. He kills a goon when he's unable to disarm him, but then turns around and offers Kingpins's right hand man a few chances to walk away, which is never not gonna be an annoying trope.

In the end, Matt rescues Mickey and a bunch of other kids, loses his job, but goes into business with Foggy and decides to give the vigilante gig a whirl.

In conclusion, this is a nice origin story for Daredevil. Frank Miller's narration can be a little overwrought at times, but he waves a good plot and good character work. The only thing missing Matt's Catholicism. Romita's art took a bit to get used too, but that's mostly down to personal preference. He gave Electra amazing hair, which elevates the whole thing, imo.
sonotadream: (x men)
 Ororo: Before the Storm (2005) - written by Marc Sumerak, art by Carlo Barberi

Another limited series origin story, this time about Ororo Munroe, aka Storm.

So, of course, we start the story with some wannabe Indiana Jones stealing retrieving an ancient Aztec artifact in Mexico. He's betrayed by the mysterious guy who hired him and falls to his apparent death. Probably. This book is aimed at younger readers, so it isn’t made explicit.

He then get to meet young Ororo, a leader in a crew of child thieves run by Achmed El-Gibar. He seems to treat his army of orphan thieves fairly, for a man who makes children work for their food. He also has sway over the local police, but we never see why. It’s probably just one of those things inherent to the genre of children books and I shouldn’t be overthinking about it, but I can’t help it.

Anyway, Ororo is sneaky, a loyal friend, a good leader, and fiercely misses his parents. 

Nari, hot-headed and not as skilled, is her main rival. Together with Hakim, the three are chosen for a special job. The mystery guy from the beginning hired El-Gibar to retrieve the Opal of Ozymandias from inside one of the Pyramids and he sends his students to deal with the booby traps. He does seem to care for them, for a man sending children in a dangerous, possibly deadly, mission.
Mystery guy also name-drops Apocalipse when he explains why the Opal is so valuable - it grants eternal life, and also eternal servitude to Apocalipse, but the guy seems to be into that.

The kids make their way to the final room. Nari grabs the Opal, inadvertently awakening the statues that act has its guardians. Things look bad, until statue!Ozymandias recognizes Ororo as someone with a significant destiny in relation to Apocalipse, mentioning future events (depicted in past comics, I assume), and lets the kids go.

Unfortunately, mystery guy is waiting for them and traps Ororo and Hakiim in a rock slide, taking the Opal from Nari. 

Ororo has a flashback to her parents deaths - trapped in rubble after an explosion. The thought of the same happening to Hakiim awakens her latent powers and they manage to free themselves, only to find the El-Gibar and the rest of the kids have been captured and are about to be sacrificed in a ritual to bring Apocalipse back. They put their training to good use, liberate their friends and Ororo tricks the bad guy into becoming a stone statue himself when he claims the power of the Opal.

In conclusion, a nice story and a nice showing of Ororo’s qualities. However, I’m definitely not the intended audience, because the fact this is framed as a group of street urchins having an amazing adventure and not as a group of orphans being exploited by a man of dubious morals really bothers me. 
sonotadream: (wanda)
Doctor Strange Season One (2012) - written by Greg Pak, art by Emma Rios


A bit of Background: the Season One graphic novels were Marvel's way to modernize some origin stories. They end up being placed in a different universe from Earth-616, except for this one. They also seem to be hit or miss in terms of quality. 

Doctor Strange is definitely a hit. It starts with a brief, faithful retelling of Strange Tales #115, just smoothing out some rougher edges - does Strange walk in on Mordo casting dark magic? No, Mordo invited him in an attempt to recruit Strange to his side.

Skip to a few months later and Strange's mystical studies aren't going very well. He sort of accidentally invokes Dormammu, which earns him the eternal enmity of Wong, until the end of the first arc.

The main difference between the Wong from the Silver Age and this one is that the latter is actually a character (TBF he only appeared twiceinthecomics I read).

Anyway, Wong has been studying the Mystic Arts his entire life and is a Kung Fu master, but has a chip on his shoulder about Strange. The Ancient One encourages the two to work together because they compliment each other: Wong has the heart, but lacks the discipline or patience necessary to advance, while Strange has the discipline but his heart is lacking - he's here only long enough to heal his hands and go back to his previous life.

We meet our third teammate, Sofia di Cosimo,of il Museo Della Mitologia Antiga Rome. She came looking for Wong and the Ancient One because she discovered three powerful rings went missing and now she's under attack by supernatural forces. The mission is to recover the rings and neutralize them.

The Ancient One forbids his students from going, so of course they slip away in the middle of the night. 

The first ring is in Salem in the hands of a corrupt politician. He thinks he's the best thing ever because the ring has been protecting him his whole life, a feeling Strange can relate to. He's able to charm the ring away from the politician, who now has to reevaluate everything he thought he knew about himself.

The politician's ancestors, however, object to this turn of events, but Strange manages to invoke the Vishanti for protection, and then dispel them when they object to an unworthy worm holding the Ring of Compulsion.

The second ring is in Cairo, in the hands of a doctor, Ahmad Amin,  who's using it to basically perform miracles. He got it from an old monk in the Himalayas, funny enough. 

Strange feels conflicted in taking the Ahmad's ring, but Mordo is also after the rings and sends a horde of monsters to attack the doctor. Our trio manages to save him with some magic and Wong takes the ring. 

Ahmad's confidence is shaken, but Strange gives him a pep talk and a helping hand, and maybe remembers why he became a doctor himself. 

He's also becoming more in tune with the magical forces around him, which allows Strange to direct the trio to Stonehenge when their magical map stops working.

There is Wong's turn to get a pep talk. He's feeling down because, despite training in Lamar Taj his entire life, Strange is the one with the ability to invoke the Vishanti. Strange reminds him what the Ancient One said, how he has the heart, he just needs to find the words, and the two work together to vanish another horde of Mordo's monsters.

The third ring is in the British Museum, in the hands of an old lady who believes herself to be the last on a long line of guardians against evil magic. Unfortunately, the ring is attracting powerful, evil spirits and Strange resorts to awaken the ancient gods whose energy is still around to defeat them.

It works and they get the ring, but now they have to confront Mordo.Wong calls on the Vishanti, but he's not strong enough to control them, so Mordo, with Dormammu's power behind him, takes control. It's Sofia's turn to give Strange a pep talk, remind him he's not worthless and he manages to call on the Vishanti for help to defeat Mordo, who shows himself not to be so much better than the two novices.

Strange and Sofia help Wong regain control of himself, the rings decide Strange is not an unworthy worm and he returns them to the Vishanti, instead of healing his hands and going back to his old life. 

In conclusion, this is a good adventure story. It does a good job of bridging Strange's arc between his origin and being an established sorcerer. And it's nice that the central relationship between the main trio doesn't revolve around a love triangle, it's all about friendship.

The art and colours, especially in the final battle are phenomenal. 

Mordo remains a one-note villain, though.
sonotadream: (wanda)
Strange Tales (1951) #110-111, #114-122 - written by Stan Lee, art by Steve Ditko

 
Finally reading some actual Silver Age comics!

We are introduced to Doctor Strange as an established Master of the Black Arts, his Master, the Ancient One, and his rival, Baron Mordo, who wants to destroy the other two to become the only sorcerer around.

These are short stories and follow a few set beats: Mordo tries to attack either Strange or the Ancient One; Strange meditates to speak to the Master (how many times can you call the old man Master before it starts getting weird?); there's a fistfight in the Astral plane; the amulet of the Eye of Agamotto saves the day.

The origin story comes later, in issue #115. Strange was a selfish, egocentric surgeon, uninterested in helping others. One day, he crashes his car. The damage to his hands makes him unable to operate again and he spirals.

He hears of the Ancient One, a Master of the Mystic Arts with healing powers and goes to the Himalayas searching for him.  The Master refuses to help him, because 9he's a selfish, egocentric man, uninterested in helping others. 

Strange isn't happy, but he gets conveniently snowed in and has to stick around until he's able to leave. He also conveniently witnesses Mordo attacking the Ancient One with dark magic. He tries to warn the Master, but Mordo puts a spell on him and the only way around it is for Strange to ask to become the Ancient One's student, in hope of learning the way to defeat Mordo. 

But TWIST! The Ancient One knew what was going on all along. Strange passed the test, showing he's capable of caring for other people and he's to become the Ancient One's heir and battle Mordo when the time comes. 

Things get more interesting with Nightmare taking center stage in issues #116 and #122, with the art takes a more psychedelic turn. He also has much more style than Mordo.

Issue #119 has a lot of panels with Strange in silhouette, looking dark and mysterious with his (non-sentient) cape.

One unfortunate aspect is the Orientalist bent, not just because the Ancient One is Tibetan sage or because Wong is not really a character. Sometimes Strange's depiction leans into the trope too.

A fun note: despite trying to keep mystical goings ons under wraps, Doctor Strange is famous enough to get recognised in the street.

In conclusion, a nice introduction to the mystic side of the Marvel Universe, but I like old comics. The villains are a bit one note, but Doctor Strange's character is well defined already. 
sonotadream: (Default)

Absolute Superman #9 - Jason Aaron/Rafa Sandoval, Fico Ossio - lots of plot in this issue. Nice peek into the Omega Men and looking forward to Ras Al-Ghul trying to make Superman his heir. Lois and Jimmy are not having a good time.

Action Comics #1088 - Mark Waid/Skylar Patridge - it”s fun to see Clark”s early days as Superboy, learning the ropes. Also, nice cliffhanger.

Fantastic Four #1 - Ryan North/Humberto Ramos - Works well as a number one (even if the renumbering feels unnecessary...). We spend time with each member and get to wonder how they”ll escape another impossible situation.

The Power Fantasy #19 - Kieron Gillen/Caspar Wijngaard - this continues to be stellar. Did new Magus kill the original Magus? Is it wrong that Etienne is my favorite?


sonotadream: (wolverine)

Logan: Path of the Warlord (1996) - written by Howard Mackie, art by John Paul Leon


One shot featuring Logan sometime after the war, when he's working as a mercenary in Japan. He gets involved with a scientist that discovered dimensional travel, his daughter who has knives for fingers (I guess she's Lady Deathstrike?) and an immortal warlord from another dimension. He's also studying with a sensei, hoping to better control his animalist instincts. Which he accomplishes in the climax of the story.


Overall, not very interesting.


sonotadream: (x men)

Magneto: Testament (2008) - written by Greg Pak, art by Carmine di Giandomenico


So, this isn't a superhero comic, not really. There's no heroes or absurd supervillains, just the harsh reality of growing up during the Holocaust. 


The authors were striving for realism and I think they accomplished their goal.


The story starts in 1935. Max Eisenhardt is a regular school boy, trying to impress the girl he likes by excelling at a sports competition. He wins a medal, even after a sympathetic teacher warns him not to stand out. In the end, he's accused of cheating and expelled - can't make the arian students look inferior…


 

Read more... )
sonotadream: (Default)

 

Absolute Martian Manhunter #4 - Denniz Camp/Javier Rodriguez - this continues to be amazing. Also. I can”t believe Joh doesn”t realize his marriage isn”t doing well...

Absolute Wonder Woman #9 - Kelly Thompson/Hayden Sherman - curious if any Amazons will show up in this arc. But we seem to be getting more info on the goddesses plan for Diana.

Superman #27 - Joshua Williamson/Eddy Barrows, Eber Ferreira, Sean Izaakse - I guess Lex is back to being his old self, except with a beard this time.

Absolute Green Lantern #4 - Al Ewing/Jahnoy Lindsay - I knew John wasn”t dead! Noticing some similarities with Absolute Martian Manhunter in the plot.

Captain America #1 - Chip Zdarsky/Valerio Schiti - this is off to a very good start. Loved seeing Steve after just getting out of the ice, trying to figure the modern world. Interesting to see it's explicitly set post-9/11.


sonotadream: (cap)

Captain America and Bucky #620-624 (2011) - written by Ed Brubaker and Marc Andreyko, art by Chris Samnee

 

We go back to Captain America with this not-actually-a-miniseries (it retains the numbering from the ongoing Captain America series) retelling the origin of Captain America's sidekick, Bucky Barnes, written by the guy who brought us the Winter Soldier. 

 

Read more... )

 


sonotadream: (Default)

The Ultimates #13 - Deniz Camp/Juan Frigeri - the Ultimates 3.0 rebrand seems to be going nicely. otoh, Tony is making some questionable decisions...

Batman & Robin: Year One #8 - Mark Waid/Chris Samnee - it's a bit ouch for Dick to recognize Clayface as Bruce because he was friendlier.

West Coast Avengers #8 - Gerry Duggan/Danny Kim - feeling really invested in Killawatt”s arc here.

X-Men #18 - Jed MacKay/Emilio Laiso - Robin is totally on your side, Cassandra, no way she”s changing her mind.

Absolute Flash #4 - Jeff Lemire/A. L. Kaplan - Grodd continues to be adorable.

Fantastic Four Fanfare #2 - Jonathan Hickman/Dustin Weaver, John Tyler Christopher/Andrew McIntosh, Mark Buckingham - Mr. Fantastic going off on a weird quest because he forgot about Val”s birthday is a mood.

Fantastic Four #33 - Ryan North/Cory Smith - aww, HERBIE. But it”s neat he”s the reason our universe exists the way it does.

 


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