sonotadream: (ff)

Strange Tales (1951) Annual #2, #115-116 - Stan Lee/Jack Kirby/Dick Ayers

 

Checking back with Johnny Storm for a couple of Spider-Man crossovers - just to prove that Spidey was really that popular right off the gate.

First, they team up in the Annual. While Johnny is complaining about Spider-Man getting better headlines than him, Spider-Man is getting framed for an art theft and decides to ask the Human Torch for help in clearing his name - mostly, he thinks it would be fun to team up with another teenager superhero.

Of course, Johnny has just been asked to help apprehend Spider-Man by the police and Peter thinks the best way to talk to him is by breaking into his home, so they fight. Peter gets away and finds a conveniently empty lab where he can create new ice-imbued webs that can slow down the Human Torch.

They meet again and Peter talks Johnny into having second thoughts about his guilt, so Johnny goes to speak with the detective in charge of the case. He learns there was another art theft while he was fighting with Spider-Man, so he leaves his first sky message for Spider-Man, asking to work together. In turn, Peter lights up his spider-signal over the Statue of Liberty and they meet there for the first time.

Using the info provided by the police, Johnny and Peter track down the criminal responsible and clear Spider-Man's name, insulting each other the entire time. It’s very cute 😍

After that, the Sandman escapes from jail and Reed tasks Johnny with tracking… Spider-Man, since he had fought the Sandman before. Disgruntled at being overlooked - and maintaining he’s not friends with Spider-Man (yet!), Johnny flies around the city, but, luckily, he finds the Sandman first. Not so lucky, the Sandman is not interested in fighting teenagers - he’s after Spider-Man!

The Sandman gets away, so Johnny does the smart thing: dress up as Spider-Man and challenge the Sandman for a fight via megaphone. They end up inside an empty skyscraper, where the Sandman tricks Johnny into setting off the water sprinklers, which is only half effective. The water also affects the Sandman’s powers and Johnny ends up overpowering him, just before Spider-Man swings by, only to complain about the Human Torch going after one of his capers. (They don’t actually interact in this issue…)

We finish with the return of the Puppet Master. Last time, we left him being pursued by Namor's giant octopus. He tries to control him with one of his puppets, but it doesn't work because it's a “mindless creature” - which is slander against the smartest invertebrate, lol.

The Puppet Master gets the ship's jets working and gets released as he reaches the surface, since the octopus is a creature of the deep sea.

Anyway, his plan this time is to control the Human Torch into putting his moves on Alicia to drive the Thing into a jealous rage - that's so wrong on so many levels!

Ben and Johnny fight, causing a good deal of destruction in and around Alicia’s apartment, but they hold back enough bot to cause serious hurt to each other. Unhappy, the Puppet Master - who has been watching the fight through his telepathic screen -decides he needs to be physically close to improve his control and directs Johnny to a nearby airport.

Alicia, sensing the Puppet Master is behind Johnny’s actions, Alicia heads to the same airport, since it's close to the Puppet Master’s last know lair. How does she senses that? Well, that's just the sixth sense people develop when they go blind (it could very well just be a thing that happens in the Marvel universe).

When they're all in the same place, the Puppet Master directs Johnny to deliver the finishing blow, but Alicia's cries for him to stop are enough to distract Johnny. If he can't take both Ben and Johnny out at once, the Puppet Master decides to take just Johnny and orders him to fly directly into a jet plane. Fortunately, Johnny’s flame powers allow him to dematerialize and pass through the plane and exit via the exhaust. So, that's a thing now.

It's the Puppet Master’s turn to be distracted, easing his control of Johnny, so Alicia tells him where to direct a fireball in order to destroy the puppet.

Ben lets the Puppet Master get away at Alicia’s request - he’s still her stepfather, after all - and he and Johnny make up, not by apologizing, but by congratulating each others fighting ability.


sonotadream: (spiderman)

Amazing Spider-Man (1963) #1-6 - Stan Lee/Steve Ditko

Let’s start the adventures of Spider- Man for real.

Still dealing with the fallout of Uncle Ben's death, Peter and Aunt May are having money problems. Wanting to help, Peter considers becoming a criminal, but baulks when he thinks about how disappointed Aunt May would be, so he calls his agent instead.

He books a show and it goes well, except for the fact he can't cash a check addressed to Spider-Man. And J. Jonah Jameson starts a crusade against him on his paper, the Daily Bugle, and on TV.

Just a reminder: at this point, Spider-Man is a guy who makes tricks on stage and TV. He committed one (1) act of vigilantism. I find this level of vitriol unwarranted, honestly.

Peter thinks, not without reason, that neither the Fantastic Four or Ant-Man have to deal with this.

However, when Jameson's son, who's test flying a orbital plane, gets in trouble, Peter jumps at the chance to help him. The capsule lost a piece and it's surprisingly easy to convince the Air Force to give him a spare and then convince a pilot to fly him close to the (still falling) capsule. Spider-Man saves the day, but Jameson and the Daily Bugle chalk it up to a publicity stunt.

Peter is feeling like he can’t win, but decides the best way to earn some money is to get a job with the Fantastic Four. In order to apply, he breaks into the Baxter Building and starts a demonstration of his powers, i. e. , a fight. He’s doing well, until Reed stops everyone by becoming a literal human shield. Finally, Peter explains he’d like a job with the team, and they explain they’re not a monetary enterprise - all the money goes into scientific research (although, they have their own building, while Peter and Aunt May are risking eviction).

Also, they read the Daily Bugle and they don’t associate with criminals. Peter is genuinely hurt by this and leaves, saying he doesn’t need them anyway.

Meanwhile, the Chameleon, whose superpower is that he can become anyone with his realistic disguises, decides to frame Spider-Man in his “steal secret plans for the commies” plot. He tricks Peter into meeting with him on top of the building he’s robbing with a promise of money and almost succeeds, but Spider-Man gets the cops on his side long enough to apprehend him.

Peter's money woes are coming to an end, though. The Vulture starts showing up around the city, but no one can get close enough to take a good picture. Peter figures he can and makes enough selling the pictures to the Daily Bugle that he pays an year's worth of rent.

He also figures the Vulture's wings work due to magnetism and creates a little device to counteract them, facilitating the Vulture's arrest.

Peter gets so confident in his crime-fighting/photographer abilities that when Jameson call for Doctor Octopus’ pictures, he volunteers his services without a second thought.

Otto Octavius is a renowned nuclear scientist who built himself a set of four mechanical arms to help his work. An unfortunate accident fuses the arms to his body and affects his mind, compounding his sense of superiority and his paranoia.

When Peter arrives at the hospital, he finds that Octavius has taken some staff hostage. Thinking it’ll be an easy fight, Peter crashes through the window to confront Octavius, but gets his ass beaten. Discouraged, he returns home without the photos and ready to give up Spider-Man. Doctor Octopus escapes the hospital and decides to take over a nuclear plant.

However, the next day at school, he attends a lecture by the Human Torch (he’s doing this instead of joining the rest of the Fantastic Four in searching for Doctor Octopus because he’s used his flame too much). Johnny’s talk about the importance of not giving up inspires Peter to get back into the fight and he defeats Doctor Octopus. He makes sure to stop by Johnny’s place to let him know (although he had sincerely thanked him for his words earlier).

Next up, another iconic Spider-Man villain: the Sandman. Flint Marko is an escaped convict who hid in a nuclear test zone and now has the ability to transform his body into sand on command. He’s now in New York to rob some banks. Peter tries to stop him, but his mask gets ripped off and he has to flee.

He get to see a bit of his life outside of Spider-Man. Aunt May is kind and spoils him, but his peers at school don’t like him very much. He convinced Liz Allan to go on a date, but then tells her he might have to cancel and she’s naturally annoyed, choosing to go out with Flash Thompson instead - oh, the teenage drama! (Later, Spider-Man rescues Liz from an hostage situation and she decides they're in love and forgets about both Flash and Peter).

Despite his powers, the Sandman has been having trouble evading the police and he hides at Peter’s school. He takes a few hostages, gets sieged by the police and then Spider-Man tricks him and vacuums his sand form.

So, things are going well in the Spider-Man front - despite Jameson's insistence that he's a menace, the police don't actually have a problem with Spider-Man, although they would like he stuck around long enough to fill a report. Peter Parker’s social life, otoh, just took another hit. He wonders if Spider-Man is worth it, but decides he must go on.

Next up, the inevitable confrontation with Doctor Doom! It was bound to happen!

Doom survived his fall in his last confrontation with the Fantastic Four by igniting his belt jets once he was under cloud cover. In a (rare) moment of introspection, he decides he needs an ally in order to defeat the Fantastic Four once and for all.

That ally is, of course, Spider-Man, who is, of course, not interested in becoming a villain.

Doom switches to Plan B, where he kidnaps Spider-Man and blackmails the Fantastic Four into disbanding to save his life.

He builds a device capable of tracking Spider-Man and starts wandering around the city.

At the same time, Flash thinks it would be hilarious to jump in front of Peter dressed as Spider-Man, in hopes that he'll faint or something. Which results in Doom kidnapping the wrong Spider-Man.

Peter is none the wiser, until Doom televises is threats and his schoolmates call him to let him know that Flash went missing while dressed as Spider-Man. Peter considers leaving Flash to his fate, but decides he must do the right thing.

Peter finds Doom and they fight for a few pages, until the Fantastic Four show up and Doom decides he doesn't want to fight all these superheroes at the same time.

Peter also leaves before meeting up with the Fantastic Four, although Reed figures out he was there, and Flash gets to play the hero at school, to Peter's chagrin.

We finish up with another iconic villain, the Lizard. He first shows up in a swamp in Florida and rumours of his existence quickly make their way to New York, where a Daily Bugle headline challenges Spider-Man to fight him.

Peter asks Jameson to send him to Florida, but he refuses - the headline's only purpose was to sell newspapers. So Peter visits Jameson as Spider-Man and gets him to change his mind.

We are robbed of the comedy of errors of Jameson and Peter chasing the Lizard together because, once they arrive on Florida, Peter quickly makes an excuse to go off on his own.

He finds the Lizard on his swamp, but he turns out to be stronger than Peter expected - he also has very thick, resistant skin and the ability to control other reptiles, namely alligators. Defeated in the first bout, Peter swings away to a nearby house, where he finds a woman crying.

She explains that her husband, Dr. Curt Connors, is the Lizard.

Connors was a surgeon, until he lost his arm in the war. After that, he started studying reptiles, specifically their ability to regrow limbs, and he formulated a serum capable of doing just that - in rabbits.

He then tested the serum in himself and it worked - and kept working, turning Connors into the Lizard. He started working in an antidote, but his mental state kept deteriorating, to the point he barely recognises his wife and son and now plans to steal the original serum and rule the Earth with an army of lizards.

Using Connors’ lab, Peter manages to finish the antidote and sets out to confront the Lizard.

They fight in an abandoned Spanish fort and Peter succeeds in turning Connors human again. He leaves the reunited Connors family in a positive note.

Things don't go so well with Jameson - having failed to take photos of the Lizard, Peter bought some from a roadside vendor, which Jameson declares are a hoax and so is the Lizard.

In conclusion, Spider-Man is one of my favourite superheroes and it’s fun to see where it all started. It’s a different flavour from the Fantastic Four - the stories are relatively smaller scale and there’s more of a civilian supporting cast, especially in the later issues - but the fact they crossover a couple of times starts to give the Marvel universe its shape.

 

Random stuff

Spider-Man has his own spider signal: a flash light that projects a close up of his face.

I love that his eyeliner is always on point.

There's half an issue where Peter's name is Palmer.

There's another half issue where Spider-Man deals with the Terrible Tinkerer and stops an alien invasion.

He pranks Jameson by leaving a web cushion on his chair.

Peter forgets to take pictures of his fight with the Sandman, so he stages some by throwing some sand into the air.

There's a special frequency that only spiders hear and that two villains use to communicate directly with Spider-Man.

The way the spider sense works is not very clear. It warns of danger, sure, but also allows Peter to track people, and fails to recognize that Doctor Doom is kidnapping Flash on the other side of a fence.

The Connors kid is very impressed that Spider-Man is a scientist.


sonotadream: (spiderman)


Amazing Fantasy #15 (1961) - Stan Lee/Steve Ditko

Spider-Man!

So, in case you don’t know, Stan Lee wanted to write about a teenage superhero, but his editor, Marvin Goodman, hasn’t keen on the idea. Still, since Amazing Fantasy has getting cancelled, Lee got the opportunity to introduce Spider-Man in the last issue.

Exact details of the creation are in dispute, but Lee started working with Jack Kirby. Unsatisfied with the direction he was taking, Lee handed the story to Steve Ditko, although he still had Kirby drawing the very iconic cover.

This issue proved so successful that Goodman went on to publish a solo series. And the rest is History!

Anyway, this issue hits all the major points of Spider-Man’s origin. Peter Parker is a good student, but not very popular with his peers. At a science fair, he gets bitten by a spider who was just infused with radiation. He feels a bit dizzy, but immediately realizes he gained some weird powers when he clings to a wall. He decides to test his powers in an exhibition fight and does so well that an agent immediately books him a TV gig.

He creates the Spider-Man costume, the web-shooters and the web fluid, and becomes a success.

The thing is, Peter can be petty and selfish. Since Uncle Ben and Aunt May are the only people who seem to care about him, he decides they’re the only people Peter’s going to care about. So, when he sees a thief running past him, he decides not to care.

I think we all know what happens next - Peter finds out his uncle was murdered and chases the murderer, only to find out it was the same man he didn’t stop earlier. The issue ends with Peter despondent, with the narration declaring the moral of the story: "With great power there must also come—great responsibility!"


Profile

sonotadream: (Default)
sonotadream

February 2026

S M T W T F S
1 234567
891011121314
15161718192021
22232425262728

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Feb. 25th, 2026 10:13 am
Powered by Dreamwidth Studios